A Tale of Two Odes
Image by wbritten via Getty Images. |
I once on the beach playfully
and gleefully let time pass
when I saw this dawn of a shell
burst with burning hues.
A burning sun in the background
Of a stardust constellation.
I placed it on the palm of my hand
and saw
it’s form
like that of a thousand roses
compelled to fit in a slender glass vase.
And its texture like that of porcelain teardrops
drenched over an ice sheet
when the skies are in despair.
This glorious shell
that amasses the azure blanket
and pulls on the edges of the fishing net
containing creatures of red and yellow.
It screams
and yet it whispers
to my ear,
the journey
of how it got here
and where it has come from,
its listeners
bow down in awe.
As when an explorer has found lost gold,
and as when a dog has found a long-buried bone,
so have I found such preciousness
and value in this sole shell,
whilst I fought the urge
to burrow a hole
696,340 km deep,
lest the seas demand its return
and bring it to some other world
than this.
I hear the echo of my name
in the wind
signaling
our departure
as I debated whether
or not
to bring such opulence,
that burning star,
to my unworthy abode.
I hear my name yet again,
sensing such urgency
in the tone.
I got up and ran
not realizing the shell
still lay where it was
in the palm of my hand.
And what moral
might a reader like you
acquire from this brief tale
of a heavenly shell
and a plain-featured girl?
Perhaps it is this: from that blue Tesla
to a dilapidated tow truck,
the journey of the shell
will continue
as it has always been.
But as for this girl,
who oh so found
the preciousness in
a simple shell
which beachgoers
oh so often pass by
and pay no mind to,
this is just the beginning.
We were tasked to write an ode as part of our alternative assessment for our English class (an ode, by the way, resembles a poem that serves to extols a seemingly simple, everyday object). With the task at hand, I decided to draw out inspiration from our recent trip to Masbate, a province known for its serene beaches and seafood, and its annual event, Rodeo Masbateño, where the province holds a week-long festival showcasing its cattle and livestock industry (such a shame, however, that we did not get the chance to witness the celebration ourselves).
A few hours later of eyes fixed onto a bright laptop screen, roosters crowing every now and then, a cool and steady airstream from the fan directed right onto my face, laying in my PJs on my still unmade bed, and a barren stomach, I have finished my craft. And this piece of mine, was the ode you read above. I was satisfied with how it turned out, and have submitted my work in the submission box, 8 hours before 5 pm.
Now, I know I said I was satisfied, but you know one of those feelings you get after staring at something you made for so long, that you start to see all its flaws and imperfections? Well, I started to feel just that. I began to sense a thought entering my mind, what if it wasn't enough? This thought I battled with for quite some time, more or less, but soon took it into consideration. What if my work really wasn't enough? I became convinced. But first, I needed someone to tell me just that - that it needed more tweaking, that it needed just a little bit more work, that it could be better, just for confirmation. It was just an ongoing notion in my mind ever since I transferred to PSHS, I can't submit a mediocre output. I can't, I can't , I can't. And while it does make me hold on to one of the school's core values, that is, to strive for excellence, the fine line between "I can't submit mediocre" and "I just need to do my best" sometimes becomes unclear, becomes a blur. And suddenly, that fine line doesn't remain so fine for long. Before I know it, I have made myself a slave under the increasing pressure of striving for this sole misconception -- perfection.
Torn between what course of action to take, that is, to let my ode be or to polish it more, I asked for the opinions of my peers regarding it, to which I received healthy criticisms (which, is one of the things I love about the Pisay community, one receives healthy, constructive criticism when asked for it), and upon hearing their comments, I decided to improvise, and thus, here is my second ode:
Ode to a Shell: That Burning Star
I once lay on the beach
Watch as the heavens
Spiral in tones of corals ablaze
Of oceans in chasmic surrender.
That white haze afloat
As if to obey the current controlling,
Those glistening stars
As if to mimic the soft swaying arms
Of mysterious deep-sea lanterns.
And as I lay and watch the sky play sea
The pacific waves met with the shore.
Then,
A seashell appeared.
'Twas a burning star
Bursting with hues of dawn,
Like a golden planet
In the background of a
stardust constellation.
It’s form
like that of a thousand roses
compelled to fit in a slender glass vase,
A prison.
Those thorns piercing
Through the petals of the others
Yet there was beauty in it all.
Texture like that of porcelain,
Of porcelain teardrops
Drenched over a broken glass
When the cosmos are in despair.
This glorious shell
that amasses the azure blanket.
It screams
and yet it whispers
Its long-enduring journey.
Falling,
Falling stars
Reverberating through
such horizonless abyss
Such that the sound of oceans in an uproar
Grow ashamed,
And its listeners bow down in awe.
And I fought the urge to burrow a hole
696,340 km deep
lest the seas demand its return
and bring it to some other world than this.
But alas
What right does a damsel like me have
To devoid such opulence,
That burning star,
From traveling to wherever it pleases.
For I am unworthy
And it,
heavenly.
And so it shall.
That burning star,
Such seashell
Never in all time
Have I seen a matching beauty
One which was comparable
To this
And have such beauty
Taken away from me
In bliss.
An image of the sunset at Palani Beach Park, Balud, Masbate. |
These two odes have such opposing characteristics -- one is marked with joy, with new beginnings, and finding happiness in the simplest things; and one is established upon a pained partition, such that the speaker grieves in the loss of the object she holds dear to her heart. A change of tone, a change of imagery, a change of resolution.
If I were to ask you, dear reader, which one of the two odes do you prefer more? Or perhaps, in which of these odes do you find yourself?
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